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A lively introduction to and history of international contemporary art from 1960 to the present

What does it mean?
Is it really art?
Why does it cost so much?
While these questions are perpetually asked about contemporary art, they are not the questions that E. H. Gombrich set out to answer in his seminal book The Story of Art. Contemporary art is very different from what came before. From the 1960s, where Gombrich’s account concludes, artists began to abandon traditional forms of art and started to make work that questioned art’s very definition. This is where Godfrey picks up the story.

Developments in contemporary art have followed no straightforward line of progress or sequence of movements. Recognizing this, Tony Godfrey creates a narrative from a series of often dramatic creative conflicts and arguments around what art is or should be. From object versus sculpture and painting versus conceptual to local versus global, gallery versus wider world, The Story of Contemporary Art traces a history in terms of drastic changes in social and political life over the last sixty years.

How do we experience being human in a world that seems to change so quickly? In exploring art’s relationship to this question, Godfrey asserts that multiple voices must be heard: critics, theorists, curators and collectors, but also audiences and artists themselves. Key to the book is the story of how a perception that art was made almost exclusively by white men from North America and Western Europe has been radically overturned. Compelling and intelligent, but never academic, this book tells us how.

About the Author:

Tony Godfrey, former Programme Director of the MA in Contemporary Art at Sotheby’s Institute, London, now lives in Manila, where he works as a curator with artists from South-East Asia. He has written for the Burlington Magazine and Art in America, and is the author of Conceptual Art and Painting Today, as well as numerous exhibition catalogues.

Now available in a new edition, this chronologically arranged volume covers a century and a half of masterpieces which beautifully capture the development of art in the modern age.

Starting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double-page spreads that show how these artists redefined norms and challenged tradition. Fascinating biographical and anecdotal information about each artist is provided alongside large reproductions of their most celebrated works, stunning details, and images of the artists themselves. From the Impressionists to the Surrealists, Cubists to Pop artists—readers will find a wealth of information as well as hours of enjoyment learning about one of the most popular and prolific periods in art history.

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Пролистать книгу 50 Modern Artists You Should Know

A year-long journey through the contemporary art world, uncovering the working lives of artists, curators, gallerists and critics, and revealing what they really do

Over the last few decades the contemporary art world has become more globalized and more visible than ever before – and yet in many ways it remains closed and obscure. What actually happens behind the doors of a contemporary artist’s studio? At an auction house before a major sale? In the vaults of an art storage unit? How can art museums keep up with Instagram – and why does everyone seem to hate art fairs?

Join curator, writer and art historian Matthew Israel on a year-long journey through the contemporary art world. From Los Angeles to Hong Kong via Venice, Basel, Paris and New York, from biennials in summer to auction houses in autumn, Israel reveals the joys and anxieties of this sometimes baffling, often intimidating field. Blending an insider’s knowledge with in-depth profiles, interviews with key art-world figures and a keen ear for an anecdote, A Year in the Art World is a compelling, generous companion for any art-lover curious about how art is being made, valued, sold, cared for and looked at today.

Contents List:

Part I: WINTER – 1. A Studio Visit; 2. Fabricators; 3. Gallery Directors • PART II: SPRING – 4. Museum Directors; 5. Art Fairs; 6. Artist Estates; 7. Art Writers • PART III: SUMMER – 8. Curators; 9. Biennials; 10. Art Schools; 11. Art Online • PART IV: FALL – 12. Art Advisors; 13. Auctions; 14. Conservators; 15. Storage, Shipping and Handling

About the Author:

Matthew Israel is a curator, writer and art historian based in New York. He has worked with galleries including Matthew Marks and Gagosian, managed major artist estates and foundations, written widely for the international art press, and spoken internationally about contemporary art and the art world. He received a PhD in History of Art and Archaeology from New York University's Institute of Fine Arts and was Head Curator of Artsy. His most recent book is The Big Picture: Contemporary Art in 10 Works by 10 Artists.

A panoramic insider’s account of the global art industry, revealing the fascinating but mysterious workings of the world of contemporary art.

Over the last few decades the contemporary art world has become more globalized and more visible than ever before – and yet in many ways it remains closed and obscure. What actually happens behind the doors of a contemporary artist’s studio? At an auction house before a major sale? In the vaults of an art storage unit? How can art museums keep up with Instagram – and why does everyone seem to hate art fairs?

Join curator, writer and art historian Matthew Israel on a year-long journey through the contemporary art world. From Los Angeles to Hong Kong via Venice, Basel, Paris and New York, from biennials in summer to auction houses in autumn, Israel reveals the joys and anxieties of this sometimes baffling, often intimidating field. Blending an insider’s knowledge with in-depth profiles, interviews with key art-world figures and a keen ear for an anecdote, A Year in the Art World is a compelling, generous companion for any art-lover curious about how art is being made, valued, sold, cared for and looked at today.

About the Author:

Matthew Israel is a curator, writer and Ph.D. art historian. From 2021 to 2023 he was Commissions Lead at Open Arts at Meta. From 2019 until 2021, Matthew was Co-Founder and Chief Curator of Artful; between 2011 and 2019, he was the founding Director of The Art Genome Project at Artsy and later its Head Curator. He is the author of severally critically acclaimed books on contemporary art, including Kill for Peace: American Artists Against the Vietnam War (2013) and The Big Picture: Contemporary Art in 10 Works by 10 Artists (2017).

Contents List:
Part I: Winter
1. A Studio Visit
2. Fabricators
3. Gallery Directors
Part II: Spring
4. Museum Directors
5. Art Fairs
6. Artist Estates
7. Art Writers
Part III: Summer
8. Curators
9. Biennials
10. Art Schools
11. Art Online
Part IV: Fall
12. Art Advisors
13. Auctions
14. Conservators
15. Storage, Shipping and Handling

A prominent member of both the New Leipzig and Tacheles schools, Andreas Schiller is celebrated for ambitious work that explores symbolism and mass production in the computer age. His most recent book, Global Backup II, distills the essence of the two series that brought him wide acclaim: “Big Apple,” a collection of thousands of paintings of a single apple, and "Curiosities of the West,” which consists of iconic images presented in a repetitive pattern that renders them both absurd and banal.

The bestselling visual biography of one of the twentieth century's most innovative, influential artists

Andy Warhol "Giant" Size is the definitive document of this remarkable creative force, and a telling look at late twentieth-century pop culture. A must-have for Warhol fans and pop culture enthusiasts, this in-depth and comprehensive overview of Warhol's extraordinary career is packed with more than 2,000 illustrations culled from rarely-seen archival material, documentary photography, and artwork.

Dave Hickey's compelling essay on Warhol's geek-to-guru evolution combines with chapter openers by Warhol friends and insiders to give special insight into the way the enigmatic artist led his life and made his art. It also provides a rare, behind-the-scenes look at the New York art world of the 1950s to the 1980s.

From the publisher of The Andy Warhol Catalogue Raisonné, Volumes 1 - 5.

About the Author:

Dave Hickey is a distinguished American art and cultural critic. He was Professor of English at the University of Nevada Las Vegas, and Distinguished Professor of Criticism for the MFA Program in the Department of Art & Art History at the University of New Mexico. He has written widely, including for Rolling Stone, Art News, Art in America, Artforum, Interview, Harper's Magazine, Vanity Fair, Nest, New York Times, and Los Angeles Times.

Plan B instead of Planet B

Neither naïve escapism into virtual worlds, nor the technological utopia of space colonization will save us from facing the big, uncomfortable questions. With this year’s theme Welcome to Planet B, Ars Electronica is an invitation to take part in an exciting thought experiment: What if we had already mastered the great challenges of the 21st century? How would we live (together)? And most importantly: What would our path there have looked like?

We will need every bit of technology, but the biggest innovation project has to be ourselves, our ability to rise to the challenge as a global community — a reinvention of humanity! Planet B is not the second chance for another place where we can continue as before, it is the cipher for the indispensable, new, and in many forms completely different life and action on this only planet that exists for us.

In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times.

For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous.

]This fully updated and illustrated story of Banksy’s life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’.

From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now more, National Treasure than edgy outsider, who is Banksy and how did he become what he is today?

This book charts Banksy's journey from the graffiti-scrawled streets of Barton Hill, the working-class neighbourhood of Bristol where he and others covered the walls with vibrant pieces while trying to avoid the police, through to some of the most prestigious galleries of the world, where his daring acts of guerilla art have forced us to reconsider how we define as art.

From the artist's own words to recollections of friends and colleagues, this book also examines the contradictions of Banksy's life: charting how a privately educated boy from a middle-class area of Bristol reinvented himself as a rogue and an outlaw who would take the art world by storm.

With beautiful reproductions of some of his most controversial and recognisable works, this detailed study is a truly indispensable guide to understanding the ultimate art rebel whose work is no less relevant today than it was when he first started out some thirty years ago.

About the Author:

 Will Ellsworth-Jones was chief reporter and then New York correspondent for the Sunday Times as well as holding senior editorial positions at the Telegraph Magazine, The Independent Magazine and Saga Magazine. His other books include a history of conscientious objectors in the First World War, We Will Not Fight. He lives in London.

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Пролистать книгу Banksy: The Man Behind the Wall, Revised and Illustrated Edition на Google Books.

Jean-Michel Basquiat was only twenty-seven when he died in 1988, his meteoric and often controversial career having lasted for just eight years. Despite his early death, Basquiat's powerful œuvre has ensured his continuing reputation as one of modern art's most distinctive voices. Borrowing from graffiti and street imagery, cartoons, mythology and religious symbolism, Basquiat's drawings and paintings explore issues of race and identity, providing social commentary that is shrewdly observed and biting.

This bestselling book, now available in a compact edition, celebrates Basquiat's achievements in the contexts of the key influences on his art. It not only re-evaluates the artist's principal works and their meaning but also explains what keeps his painting relevant today.

- Unabridged compact edition of a critically acclaimed book, featuring spectacular reproductions of Basquiat's work
- Examines many of Basquiat's individual works in detail, with particular reference to his working methods and technique

Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO©. He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation.

Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell on SAMO©; curator Carlo McCormick on New York / New Wave; writer Glenn O’Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat’s relationship to film and television; and music scholar Francesco Martinelli on Basquiat’s obsession with jazz.

This insightful new survey also features extended captions, rare archival material, and extensive photography, demonstrating how Basquiat’s legacy remains more powerful and relevant than ever today.

About the Author:

Dieter Buchhart is an art critic for Kunstforum International and the author of Keith Haring: The Political Line

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Пролистать книгу Basquiat: Boom for Real

Beeple: Everydays, the First 5000 Days is the first monograph dedicated to artist Mike Winkelman, aka Beeple, who is known for his daily digital creations: from twisted pop-culture caricatures to breathtaking sci-fi landscapes.

Already a celebrity within the community of digital artists and on social media, Beeple became a global phenomenon on March 11, 2020, when Christie’s sold a digital work of his for more than $69 million, launching the NFT (non-fungible token) craze.

This monograph brings together Beeple’s first 5,000 images, created and posted daily by the artist since May 2007, and also features an interview with the author wherein he reflects on his career and newfound celebrity.

About the Author:

Mike Winkelmann is a graphic designer from Charleston, SC, USA who does a variety of digital artwork including short films, Creative Commons VJ loops, everydays, and VR / AR work.  

After he began releasing a set of widely used Creative Commons VJ loops he has worked on concert visuals for Justin Bieber, One Direction, Katy Perry, Nicki Minaj, Eminem, Zedd, deadmau5 and many more. His clients include: Louis Vuitton, Apple, Nike, Coca-Cola, Pepsi.

“All our work is about freedom.” The universe of Christo and Jeanne-Claude

Discover Christo and Jeanne-Claude, the artist duo who were born on the same day, met in Paris, fell in love, and became a unique creative partnership that took on Central Park, the German Reichstag, Biscayne Bay, and beyond with their vast and extraordinary environmental interventions.

The work of the artist couple Christo (1935–2020) and Jeanne-Claude (1935–2009) resists categorization. It is a hybrid of art, urban planning, architecture, and engineering, but above all an aesthetic uniquely their own: surreal and ethereal environmental interventions that have graced monuments, public parks, and centers of power alike.

This compact book spans the complete career of the couple who were born on the very same day, met in Paris, fell in love, and became a creative team like no other. With rich illustration, it spans Christo and Jeanne-Claude’s earliest projects in the 1950s right through to The Floating Piers, installed at Lake Iseo, Italy, in 2016. The book celebrates all of the couple’s most famous environmental interventions, such as The Gates in New York’s Central Park and the Wrapped Reichstag in Berlin, while also featuring early drawings and family photos unknown to the wider public.

The artists:

Christo and Jeanne-Claude began their collaboration in 1961, and lived in New York City since 1964. Jeanne-Claude died in 2009; Christo died in 2020. Their large-scale projects include Wrapped Coast, Australia, 1968–69; Valley Curtain, Rifle, Colorado, 1970–72; Running Fence, Sonoma and Marin Counties, California, 1972–76; Surrounded Islands, Biscayne Bay, Florida, 1980–83; The Pont Neuf Wrapped, Paris, 1975–85; The Umbrellas, Japan–USA, 1984–91; Wrapped Reichstag, Berlin, 1971–95; Wrapped Trees, Riehen, Switzerland, 1997–98; The Gates, Central Park, New York City, 1979–2005; The Floating Piers, Lake Iseo, Italy, 2014–16 and The London Mastaba, Serpentine Lake, Hyde Park, 2016–18. Christo and Jeanne-Claude's temporary work of art L'Arc de Triomphe, Wrapped, Project for Paris is scheduled for September 18–October 3, 2021.

The author:

Jacob Baal-Teshuva, born 1929, is author, critic and independent curator of museum shows. He studied at the Hebrew University in Jerusalem and New York University. His numerous publications include works on Marc Chagall, Alexander Calder, Jean-Michel Basquiat, Andy Warhol, and Christo and Jeanne-Claude. Jacob Baal-Teshuva lives and works in New York and Paris.

The photographer:

Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag, Berlin, 1971–95 and (with Josy Kraft) for Wrapped Trees, Riehen, Switzerland, 1997–98, and was in charge of The Wall – 13,000 Oil Barrels, Gasometer Oberhausen, Germany, 1998–99 and Big Air Package, Gasometer Oberhausen, Germany, 2010–13. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Temporary Projects, Eternal Impressions. The XXL exploration, now in a condensed handbook

The works of Christo and Jeanne-Claude are monuments of transience. Gigantic in scale, they are always temporary, created to exist only for a limited time and to leave unique, unrepeatable impressions. “From the smallest of the Packages made in Paris in the early 1960s, to the delicate pattern of hundreds of branches embraced by a translucent fabric veil... in Christo and Jeanne-Claude’s works there is nothing abstract, nothing imagined; it is all there—corporeal and tangible.” (Lorenza Giovanelli)

Part biography, part critical analysis, part catalogue, this updated edition brings back TASCHEN’s best-selling Collector’s Edition. It spans Christo and Jeanne-Claude’s entire work, from early drawings and family photos to plans for future projects. Hundreds of photographs and original works trace the couple’s projects from the past 10 years, including The Floating Piers and The London Mastaba, as well as works in progress such as The Mastaba, Project for the United Arab Emirates and L’Arc de Triomphe Wrapped, Paris.

Together with the comprehensive photographic documentation by Wolfgang Volz this book is a celebration of the work of two artists whose imagination has affected the landscape of every continent.

The artists

Christo and Jeanne-Claude began their collaboration in 1961, and lived in New York City since 1964. Jeanne-Claude died in 2009; Christo died in 2020. Their large-scale projects include Wrapped Coast, Australia, 1968–69; Valley Curtain, Rifle, Colorado, 1970–72; Running Fence, Sonoma and Marin Counties, California, 1972–76; Surrounded Islands, Biscayne Bay, Florida, 1980–83; The Pont Neuf Wrapped, Paris, 1975–85; The Umbrellas, Japan–USA, 1984–91; Wrapped Reichstag, Berlin, 1971–95; Wrapped Trees, Riehen, Switzerland, 1997–98; The Gates, Central Park, New York City, 1979–2005; The Floating Piers, Lake Iseo, Italy, 2014–16 and The London Mastaba, Serpentine Lake, Hyde Park, 2016–18. Christo and Jeanne-Claude's temporary work of art L'Arc de Triomphe, Wrapped, Project for Paris is scheduled for September 18–October 3, 2021.

The photographer

Wolfgang Volz has worked with Christo and Jeanne-Claude as the exclusive photographer of their works since 1971. He was also project director (with Roland Specker) for Wrapped Reichstag, Berlin, 1971–95 and (with Josy Kraft) for Wrapped Trees, Riehen, Switzerland, 1997–98, and was in charge of The Wall – 13,000 Oil Barrels, Gasometer Oberhausen, Germany, 1998–99 and Big Air Package, Gasometer Oberhausen, Germany, 2010–13. His close collaboration has resulted in many books and more than 300 exhibitions in museums and galleries around the world.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

A Central Hub in the Global Network of Media Art

The Prix Ars Electronica is the world's longest-running media art competition. Richly illustrated, and with texts and statements by the jury, this book brings together the winners of 2022 selected out of 2.338 projects submitted from 88 countries in the categories Computer Animation, Interactive Art +, Digital Communities and u19-create your world. What is more, the volume also provides insights into the work of Laurie Anderson, this year's recipient of the Golden Nica for Visionary Pioneer of Media Art.

Also included is a best-of of the STARTS Prize, commissioned by the European Commission. The focus of this highly remunerated competition was on innovative projects at the intersection of science, technology and art (= Science, Technology and ARTS).